Detroit Annie, Hitchhiking
Her words pour out as if her throat were a broken
artery and her mind were cut-glass, carelessly handled.
You imagine her in a huge velvet hat with great
dangling black feathers,
but she shaves her head instead
and goes for three-day midnight walks.
Sometimes she goes down to the dock and dances
off the end of it, simply to prove her belief
that people who cannot walk on water
are phonies, or dead.
When she is cruel, she is very, very
cool and when she is kind she is lavish.
Fisherman think perhaps she's a fish, but they're all
fools. She figured out that the only way
to keep from being frozen was to
stay in motion, and long ago converted
most of her flesh into liquid. Now when she
smells danger, she spills herself all over,
like gasoline, and lights it.
She leaves the taste of salt and iron
under your tongue, but you don't mind.
The common woman is as common
as the reddest wine
Friday, August 28, 2009
"as common as the reddest wine"
by Judy Grahn
Labels:
hiking,
Judy Grahn,
liquidity,
poetry,
women
Monday, August 24, 2009
what goes on in the garden
Vegetable Love
think of buttocks, breasts, this plump pulp.
And carrots, mud clinging to the root,
gold mined from the earth's tight purse.
And asparagus, that push their heads up,
rise to meet the returning sun,
and zucchini, green torpedoes
lurking in the Sargasso depths
of their raspy stalks and scratchy leaves.
And peppers, thick walls of cool jade, a green hush.
Secret caves. Sanctuary.
And beets, the dark blood of the earth.
And all the lettuces: bibb, flame, oak leaf, butter-
crunch, black-seeded Simpson, chicory, cos.
Elizabethan ruffs, crisp verbiage.
And spinach, the dark green
of northern forests, savoyed, ruffled,
hidden folds and clefts.
And basil, sweet basil, nuzzled
by fumbling bees drunk on the sun.
And cucumbers, crisp, cool white ice
in the heart of August, month of fire.
And peas in their delicate slippers,
little green boats, a string of beads,
repeating, repeating.
And sunflowers, nodding at night,
then rising to shout hallelujah! at noon.
All over the garden, the whisper of leaves
passing secrets and gossip, making assignations.
All of the vegetables bask in the sun,
languorous as lizards.
Quick, before the frost puts out
its green light, praise these vegetables,
earth's voluptuaries,
praise what comes from the dirt.
Labels:
Barbara Crooker,
dirt,
gardens,
poetry,
summer,
vegetables
Thursday, August 20, 2009
Tuesday, August 18, 2009
Wednesday, August 12, 2009
Sunday, August 9, 2009
one of the best parts of summer
A Summer Night
by Kate Barnes
almost full now, comes and goes
through clouds. I can't see
any stars, but a late firefly
still flicks his green lamp on and off
by the fence.
In this light
that is more illusion
than light, I think of things
I can't make out: milkweed opening
its millions of flowerets, their heavy heads
smelling like dark honey in the night's
darkness; day lilies
crowding the ditch, their blossoms
closed tight; birds asleep with their small legs
locked on twigs; deer stealing
into the uncut hay; and the young bay mare
kneeling down in the pasture, composing herself
to rest, as rounded and strong
as a meant prayer.
Labels:
Kate Barnes,
moon,
night,
stars,
summer
Wednesday, August 5, 2009
dirt
Patriotism
that gathers under my fingernails
when I am in the garden.
The quiet bacteria and fungi,
all the little insects and bugs
are my compatriots. They are
idealistic, always working together
for the common good.
I kneel on the earth
and pledge my allegiance
to all the dirt of the world,
to all of that soil which grows
flowers and food
for the just and unjust alike.
The soil does not care
what we think about or who we love.
It knows our true substance,
of what we are really made.
I stand my ground on this ground,
this ground which will
ultimately
recruit us all
to its side.
Labels:
dirt,
Ellie Schoenfeld,
gardens,
poetry,
soil
Monday, August 3, 2009
Watch out for the oft-surly adjectives!
The Student Theme
insistent, loud, demanding, inexact,
their Latinate constructions flashing. The pronouns
lost their referents: They were dangling, lacked
the stamina to follow the prepositions' lead
in, on, into, to, toward, for, or from.
They were beset by passive voices and dead
metaphors, conjunctions shouting But! or And!
The active verbs were all routinely modified
by adverbs, that endlessly and colorlessly ran
into trouble with the participles sitting
on the margins knitting their brows like gerunds
(dangling was their problem, too). The author
was nowhere to be seen; was off somewhere.
Labels:
Grammar,
language,
poetry,
Ronald Wallace,
words
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