love in a cord of wood

The Winter Wood Arrives

by Mary Oliver

I think
I could have
built a little house
to live in


with the single cord—
half seasoned, half not—
trucked into the
driveway and


tumbled down. But, instead,
friends came
and together we stacked it
for the long, cold days


that are—
maybe the only sure thing in the world—
coming soon.
How to keep warm


is always a problem,
isn't it?
Of course, there's love.
And there's prayer.


I don't belittle them,
and they have warmed me,
but differently,
from the heart outwards.


Imagine
what swirls of frost will cling
to the windows, what white lawns
I will look out on


as I rise from morning prayers,
as I remember love, that leaves yet never leaves,
as I go out into the yard
and bring the wood in


with struggling steps,
with struggling thoughts,
bundle by bundle,
to be burned.

just a few words together...

Praying
by Mary Oliver

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch

a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway

into thanks, and a silence in which
another voice may speak.

think of the unsleeping grass

Gethsemane
by Mary Oliver

The grass never sleeps.
Or the roses.
Nor does the lily have a secret eye that shuts until morning.

Jesus said, wait with me. But the disciples slept.

The cricket has such splendid fringge on its feet,
and it sings, have you noticed, with its whole body,
and heaven knows it never sleeps.

Jesus said, wait with me. And maybe the stars did, maybe
the wind wound itself into a silver tree, and didn't move,
maybe
the lake far away, where once he walked as on a
blue pavement,
lay still and waited, wild awake.

Oh the dear bodies, slumped and eye-shut, that could not
keep that vigil, how they must have wept,
so utterly human, knowing this too
must be a part of the story.

Ushering in April...

March

by Mary Oliver

There isn’t anything in this world but mad love. Not in this world. No tame love, calm love, mild love, no so-so love. And, of course, no reasonable love. Also there are a hundred paths through the world that are easier than loving. But, who wants easier? We dream of love, we moon about, thinking of Romeo and Juliet, or Tristan, or the lost queen rushing away over the Irish sea, all doom and splendor. Today, on the beach, an old man was sitting in the sun. I called out to him, and he turned. His face was like an empty pot. I remember his tall, pale wife; she died long ago. I remember his daughter-in-law. When she died, hard, and too young, he wept in the streets. He picked up pieces of wood, and stones, and anything else that was there, and threw them at the sea. Oh, how he loved his wife. Oh, how he loved young Barbara. I stood in front of him, not expecting any answer yet not wanting to pass without some greeting. But his face had gone back to whatever he was dreaming. Something touched me, lightly, like a knife-blade. I felt I was bleeding, though just a little, a hint. Inside I flared hot, then cold. I thought of you. Whom I love, madly.

herons in ice

Herons in Winter in the Frozen Marsh

by Mary Oliver

All winter
two blue herons
hunkered in the frozen marsh,
like two columns of blue smoke.

What they ate
I can't imagine,
unless it was the small laces
of snow that settled

in the ruckus of the cattails,
or the glazed windows of ice
under the tired
pitchforks of their feet—

so the answer is
they ate nothing,
and nothing good could come of that.
They were mired in nature, and starving.

Still, every morning
they shrugged the rime from their shoulders,
and all day they
stood to attention

in the stubbled desolation.
I was filled with admiration,
sympathy,
and, of course, empathy.

It called for a miracle.
Finally the marsh softened,
and their wings cranked open
revealing the old blue light,

so that I thought: how could this possibly be
the blunt, dark finish?
First one, then the other, vanished
into the ditches and upheavals.

All spring, I watched the rising blue-green grass,
above its gleaming and substantial shadows,
toss in the breeze,
like wings.

they float like one stippled star

Starlings in Winter

by Mary Oliver

Chunky and noisy,
but with stars in their black feathers,
they spring from the telephone wire
and instantly

they are acrobats
in the freezing wind.
And now, in the theater of air,
they swing over buildings,

dipping and rising;
they float like one stippled star
that opens,
becomes for a moment fragmented,

then closes again;
and you watch
and you try
but you simply can't imagine

how they do it
with no articulated instruction, no pause,
only the silent confirmation
that they are this notable thing,

this wheel of many parts, that can rise and spin
over and over again,
full of gorgeous life.
Ah, world, what lessons you prepare for us,

even in the leafless winter,
even in the ashy city.
I am thinking now
of grief, and of getting past it;

I feel my boots
trying to leave the ground,
I feel my heart
pumping hard, I want

to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.

Happy birthday, Mary Oliver

Breakage

by Mary Oliver

I go down to the edge of the sea.

How everything shines in the morning light!

The cusp of the whelk,

the broken cupboard of the clam,

the opened, blue mussels,

moon snails, pale pink and barnacle scarred—

and nothing at all whole or shut, but tattered, split,

dropped by the gulls onto the gray rocks and all the moisture gone.

It's like a schoolhouse

of little words,

thousands of words.

First you figure out what each one means by itself,

the jingle, the periwinkle, the scallop

full of moonlight.

Then you begin, slowly, to read the whole story.

dark summer jewels

Blackcaps

August
By Mary Oliver

When the blackberries hang
swollen in the woods, in the brambles
nobody owns, I spend

all day among the high
branches, reaching
my ripped arms, thinking

of nothing, cramming
the black honey of summer
into my mouth; all day my body

accepts what it is. In the dark
creeks that run by there is
this thick paw of my life darting among

the black bells, the leaves; there is
this happy tongue.

Blackberry Eating
by Galway Kinnell

I love to go out in late September
among the fat, overripe, icy, black blackberries
to eat blackberries for breakfast,
the stalks very prickly, a penalty
they earn for knowing the black art
of blackberry-making; and as I stand among them
lifting the stalks to my mouth, the ripest berries
fall almost unbidden to my tongue,
as words sometimes do, certain peculiar words
like strengths or squinched,
many-lettered, one-syllabled lumps,
which I squeeze, squinch open, and splurge well
in the silent, startled, icy, black language
of blackberry -- eating in late September.
                                                                 

gratitude

The Place I Want To Get Back To

by Mary Oliver

is where
in the pinewoods
in the moments between
the darkness

and first light
two deer
came walking down the hill
and when they saw me

they said to each other, okay,
this one is okay,
let's see who she is
and why she is sitting

on the ground like that,
so quiet, as if
asleep, or in a dream,
but, anyway, harmless;

and so they came
on their slender legs
and gazed upon me
not unlike the way

I go out to the dunes and look
and look and look
into the faces of the flowers;
and then one of them leaned forward

and nuzzled my hand, and what can my life
bring to me that could exceed
that brief moment?
For twenty years

I have gone every day to the same woods,
not waiting, exactly, just lingering.
Such gifts, bestowed,
can't be repeated.

If you want to talk about this
come to visit. I live in the house
near the corner, which I have named
Gratitude.

the rich fragrance of cinnamon and fulfillment

In Blackwater Woods

by Mary Oliver

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.

walk slowly, and bow often

When I Am Among the Trees

by Mary Oliver

When I am among the trees,

especially the willows and the honey locust,

equally the beech, the oaks and the pines,

they give off such hints of gladness,

I would almost say that they save me, and daily.

I am so distant from the hope of myself,

in which I have goodness, and discernment,

and never hurry through the world

but walk slowly, and bow often.

Around me the trees stir in their leaves

and call out “Stay awhile.”

The light flows from their branches.

And they call again, “It’s simple,” they say,

“and you too have come

into the world to do this, to go easy, to be filled

with light, and to shine.”

poetry in mud

Crossing the Swamp
by Mary Oliver

Here is the endless
wet thick
cosmos, the center
of everything—the nugget
of dense sap, branching
vines, the dark burred
faintly belching
bogs. Here
is swamp, here
is struggle,
closure—
pathless, seamless,
peerless mud. My bones
knock together at the pale
joints, trying
for foothold, fingerhold,
mindhold over
such slick crossings, deep
hipholes, hummocks
that sink silently
into the black, slack
earthsoup. I feel
not wet so much as
painted and glittered
with the fat grassy
mires, the rich
and succulent marrows
of earth—a poor
dry stick given
one more chance by the whims
of swamp water—a bough
that still, after all these years,
could take root,
sprout, branch out, bud—
make of its life a breathing
palace of leaves.

And a bit more thanks...

Praying
by Mary Oliver

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch

a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway

into thanks, and a silence in which
another voice may speak.

wild and precious life

The Summer Day

by Mary Oliver

from The Truro Bear and Other Adventures: Poems and Essays

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean—
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down—
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don't know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

considering the lily

The Lily
by Mary Oliver

Night after night
darkness
enters the face
of the lily

which, lightly,
closes its five walls
around itself,
and its purse

of honey,
and its fragrance,
and is content
to stand there

in the garden,
not quite sleeping,
and, maybe,
saying in lily language

some small words
we can’t hear
even when there is no wind
anywhere,

its lips
are so secret,
its tongue
is so hidden –

or, maybe,
it says nothing at all
but just stands there
with the patience

of vegetables
and saints
until the whole earth has turned around
and the silver moon

becomes the golden sun –
as the lily absolutely knew it would,
which is itself, isn’t it,
the perfect prayer?