Tuesday, September 2, 2014
Goodbye...
To face another way. Our theme
Reversed, we harvest the last row
To store against the cold, undo
The garden that will be undone.
We grieve under the weakened sun
To see all earth's green fountains dried,
And fallen all the works of light.
You do not speak, and I regret
This downfall of the good we sought
As though the fault were mine. I bring
The plow to turn the shattering
Leaves and bent stems into the dark,
From which they may return. At work,
I see you leaving our bright land,
The last cut flowers in your hand.
Friday, April 19, 2013
The Peace of Wild Things
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
Friday, August 17, 2012
Singing Streams
we have come to our real work,
and that when we no longer know which way to go
we have come to our real journey.
The mind that is not baffled is not employed.
The impeded stream is the one that sings.
Saturday, March 3, 2012
Useful
In Art Rowanberry’s Barn
In Art Rowanberry's barn, when Art's death
had become quietly a fact among
the other facts, Andy Catlett found
a jacket made of the top half
of a pair of coveralls after
the legs wore out, for Art
never wasted anything.
Andy found a careful box made
of woodscraps with a strap
for a handle; it contained
a handful of small nails
wrapped in a piece of newspaper,
several large nails, several
rusty bolts with nuts and washers,
some old harness buckles
and rings, rusty but usable,
several small metal boxes, empty,
and three hickory nuts
hollowed out by mice.
And all of these things Andy
put back where they had been,
for time and the world and other people
to dispense with as they might,
but not by him to be disprized.
This long putting away
of things maybe useful was not all
of Art's care-taking; he cared
for creatures also, every day
leaving his tracks in dust, mud,
or snow as he went about
looking after his stock, or gave
strength to lighten a neighbor's work.
Andy found a bridle made
of several lengths of baling twine
knotted to a rusty bit,
an old set of chain harness,
four horseshoes of different sizes,
and three hammerstones picked up
from the opened furrow on days
now as perfectly forgotten
as the days when they were lost.
He found a good farrier's knife,
an awl, a key to a lock
that would no longer open.
Sunday, May 10, 2009
for Mother's Day
To My Mother
do you remember? Sometimes
I wonder if you do remember,
so complete has your forgiveness been.
So complete has your forgiveness been
I wonder sometimes if it did not
precede my wrong, and I erred,
safe found, within your love,
prepared ahead of me, the way home,
or my bed at night, so that almost
I should forgive you, who perhaps
foresaw the worst that I might do,
and forgave before I could act,
causing me to smile now, looking back,
to see how paltry was my worst,
compared to your forgiveness of it
already given. And this, then,
is the vision of that Heaven of which
we have heard, where those who love
each other have forgiven each other,
where, for that, the leaves are green,
the light a music in the air,
and all is unentangled,
and all is undismayed.
Sunday, November 9, 2008
No one says it like Wendell Berry
How To Be a Poet
Make a place to sit down.
Sit down. Be quiet.
You must depend upon
affection, reading, knowledge,
skill—more of each
than you have—inspiration,
work, growing older, patience,
for patience joins time
to eternity. Any readers
who like your work,
doubt their judgment.
Breathe with unconditional breath
the unconditioned air.
Shun electric wire.
Communicate slowly. Live
a three-dimensioned life;
stay away from screens.
Stay away from anything
that obscures the place it is in.
There are no unsacred places;
there are only sacred places
and desecrated places.
Accept what comes from silence.
Make the best you can of it.
Of the little words that come
out of the silence, like prayers
prayed back to the one who prays,
make a poem that does not disturb
the silence from which it came.
