Oh, the ghosts of English teachers past!

The Effort

by Billy Collins

Would anyone care to join me
in flicking a few pebbles in the direction
of teachers who are fond of asking the question:
"What is the poet trying to say?"

as if Thomas Hardy and Emily Dickinson
had struggled but ultimately failed in their efforts—
inarticulate wretches that they were,
biting their pens and staring out the window for a clue.

Yes, it seems that Whitman, Amy Lowell
and the rest could only try and fail
but we in Mrs. Parker's third-period English class
here at Springfield High will succeed

with the help of these study questions
in saying what the poor poet could not,
and we will get all this done before
that orgy of egg salad and tuna fish known as lunch.

Tonight, however, I am the one trying
to say what it is this absence means,
the two of us sleeping and waking under different roofs.
The image of this vase of cut flowers,

not from our garden, is no help.
And the same goes for the single plate,
the solitary lamp, and the weather that presses its face
against these new windows--the drizzle and the
morning frost.

So I will leave it up to Mrs. Parker,
who is tapping a piece of chalk against the blackboard,
and her students—a few with their hands up,
others slouching with their caps on backwards—

to figure out what it is I am trying to say
about this place where I find myself
and to do it before the noon bell rings
and that whirlwind of meatloaf is unleashed.

a good hiking poem . . . to placate me as I nurse a sprained ankle

Directions

by Billy Collins

You know the brick path in the back of the house, the one you see from the kitchen window, the one that bends around the far end of the garden where all the yellow primroses are? And you know how if you leave the path and walk into the woods you come to a heap of rocks, probably pushed down during the horrors of the Ice Age, and a grove of tall hemlocks, dark green now against the light-brown fallen leaves? And farther on, you know the small footbridge with the broken railing and if you go beyond the you arrive at the bottom of sheep's head hill? Well, if you start climbing, and you might have to grab on to a sapling when the going gets steep, you will eventually come to a long stone ridge with a border of pine trees which is a high as you can go and a good enough place to stop. The best time for this is late afternoon en the sun strobes through the columns of trees as you are hiking up, and when you find an agreeable rock to sit on, you will be able to see the light pouring down into the woods and breaking into the shapes and tones of things and you will hear nothing but a sprig of a birdsong or leafy falling of a cone or t through the trees, and if this is your day you might even spot a hare or feel the wing-beats of geese driving overhead toward some destination. But it is hard to speak of these things how the voices of light enter the body and begin to recite their stories how the earth holds us painfully against ts breast made of humus and brambles how we will soon be gone regard the entities that continue to return greener than ever, spring water flowing through a meadow and the shadows of clouds passing over the hills and the ground where we stand in the tremble of thought taking the vast outside into ourselves. Still, let me know before you set out. Come knock on my door and I will walk with you as far as the garden with one hand on your shoulder. I will even watch after you and not turn back to the house until you disappear into the crowd of maple and ash, heading up toward the hill, percing the ground with your stick.