glint of the sun off a spider web

Full Moon, Key West

by Elizabeth Bishop

The town is paper-white:
the moonlight is so bright.
Flake on flake
of wood and paint
the buildings faint.
The tin roofs break
into a sweat
of heavy dew
dripping steadily
down the gutters
click click.
Listen!
All over town
from black gaps
in bedroom gables
from little tables
behind the shutters
big alarm clocks
tick tick.
A spider's web
glints blue, glints red,
the mirrors glisten
and the knobs on the bed.

The island starts to hum
like music in a dream.
Paper-white, drunk,
the sailors come
stumbling, fighting,
mumbling threats
in children's voices,
stopping, lighting
cigarettes
with pink dull fires,
in groups like hands
and fingers on
the narrow sidewalks
of cement
that carry sounds
like tampered wires,
—the long strings of
an instrument
laid on the stream,
a zither laid
upon the flood
of the glittering Gulf.

On being a poet

"Being a poet is one of the unhealthier jobs--no regular hours, so many temptations!"


- Elizabeth Bishop

Filling Station
by Elizabeth Bishop
Oh, but it is dirty! --this little filling station, oil-soaked, oil-permeated to a disturbing, over-all black translucency. Be careful with that match! Father wears a dirty, oil-soaked monkey suit that cuts him under the arms, and several quick and saucy and greasy sons assist him (it's a family filling station), all quite thoroughly dirty. Do they live in the station? It has a cement porch behind the pumps, and on it a set of crushed and grease- impregnated wickerwork; on the wicker sofa a dirty dog, quite comfy. Some comic books provide the only note of color-- of certain color. They lie upon a big dim doily draping a taboret (part of the set), beside a big hirsute begonia. Why the extraneous plant? Why the taboret? Why, oh why, the doily? (Embroidered in daisy stitch with marguerites, I think, and heavy with gray crochet.) Somebody embroidered the doily. Somebody waters the plant, or oils it, maybe. Somebody arranges the rows of cans so that they softly say: ESSO--SO--SO--SO to high-strung automobiles. Somebody loves us all.

One Art

by Elizabeth Bishop

The art of losing isn’t hard to master;

so many things seem filled with the intent

to be lost that their loss is no disaster.

Lose something every day. Accept the fluster

of lost door keys, the hour badly spent.

The art of losing isn’t hard to master.

Then practice losing farther, losing faster:

places, and names, and where it was you meant

to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or

next-to-last, of three loved houses went.

The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,

some realms I owned, two rivers, a continent.

I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture

I love) I shan’t have lied. It’s evident

the art of losing’s not too hard to master

though it may look like (Write it!) like disaster.